- Born in Lincolnshire, England 1948. Lives in Dawesville, Western Australia
- Art Teacher
- Facilitator – Professional Development for Art Teachers
- Member of the Manchester Academy of Fine Arts
Royal Society of Portrait Painters, London
The Gallery in Cork Street, London
Collins and Hastie Fine Art Gallery, London
St. George’s Chapel, Windsor Castle
Bury Art Museum, Manchester
Council of Europe, Strasbourg
Gallerie Quedar, Strasbourg
Jersey, Channel Islands
Falle Fine Art
The Jersey Arts Centre
The Harbour Gallery
Linton and Kay, Perth
Margaret River Galleries, Margaret River
Gallery Nine-by-Five, Fremantle
Moores Building, Fremantle
International - numerous private collections internationally, including Windsor Castle.
I have always been attracted to paintings that are blatantly paint and not an imitation of actuality. Now, almost any painter messing around with paint with reckless abandon, attracts my attention and affects my work.
The accidental component in my painting method has continued to develop. ‘Accidents’ of the medium, intuition and memory combine to offer exciting potential for ideas.
I seem to have internalised the long brushes that I used for many years, exploiting the absence of control it offered as part of my philosophy and working method.
For me we don’t paint to please, or to be clever. We don’t paint to make a point, or to teach a lesson. Rather, painting is a calling to work in partnership with a medium: always one step behind the paint for the sake of integrity; accepting the absence of control and rejoicing in what is after all, half by chance.